Wednesday, June 20, 2012

Quilt Mag 101



I finally got my hands on a copy of the August issue of Quilter's World yesterday, so I can finally confirm that yes, I do have a project in there as I had anticipated. From what I had seen on their website about the issue, I wasn't sure if it had been included or not, so it was kind of exciting to share a moment in the grocery aisle with my daughter, never had a doubt that it would be in there. WHY didn't I know for sure? Well read on for a little insight as to how this segment of the quilt industry works.

Designing for magazines is something that has always been in the back of my mind since I started EPQD, but it's only been in the last year that I've gotten more serious about it. I've had some luck with Quilt Pattern Magazine, an online-only publication, but I definitely wanted to break into the print ones if possible. As you may recall my 6 week session of joy over not only getting into but getting the cover of Quilter's World in April, there really is nothing like seeing your stuff in a printed publication.

Thanks to a little research, I learned that the best thing to do is, if at all possible, get the name of the person in charge of the editorial calendar for whatever publication you are interested in, and ask to be put on the designers list to be sent said calendar updates. These are published a few times a year and give a pretty specific outline of what they are looking for in each issue - the theme, colors they want, specific types of projects, etc. I was lucky to get on Quilter's World's list, and let me tell you it makes things SOOOOO much easier to know that in April they want florals and if you can work it into a stash management project, so much the better. "Quite Contrary" was born, and miraculously accepted.

The above picture is "Contemporary Nine Patch", featured in the August issue. That one came about from a design I actually submitted for a contemporary nine patch book House of White Birches (same publisher as QW) was publishing and they used the same designer list to request submissions. Here's the thing - when you submit to most magazines, it may be several months before you hear anything back. And if your design is rejected, they may still want to keep it on file. This one was rejected and kept on file, but several months later I randomly got an email telling me they wanted it for the August 2012 issue. I don't know how normal that is, but it was kind of a fun moment.

This particular design was submitted as an EQ7 drawing, and I'd given several fabric lines I thought it would look nice in for QW to choose from. Once they accepted the design and told me which one they wanted, I had about 8 weeks to contact the fabric company to request the fabric, make the quilt, and write directions. Naming this one was tough. I wanted to call it "Cocktail Hour" as it is a table runner and my fabulous quilter Michelle Banton (Little Pup Designs) did the most perfect circles that look like the rings a wineglass leaves on a table, but QW preferred a more basic name. It's all good.

Once the quilt was sent off and received and pronounced stupendously made, they sent me a contract that stated it was meant for the August issue. But part of the contract states that there is no guarantee it will show up in that issue, or any other for that matter. They say it much nicer than that, but there's the gist. Which is why when I saw the early releases about the issue on QW's website, I really didn't know if it had made it or not because it wasn't in the little video or anywhere on the site. But woo hoo for me! There it was on page 85.

The good news is, at least with QW, they pay you anyway, so there's really nothing to lose.

I've been very blessed to have all three designs I have submitted to QW accepted, which either means I am doing something right or they are totally desperate. I certainly prefer to think it is the former and hope we can keep a good thing going as they are so great to work with.

I guess I'd better get my Valentine quilt done soon so as not to screw it all up!



Thursday, June 7, 2012

The best kind of email

You know all those patterns you buy at the quilt shop, quilt shows, out of the trunk of a designer's car at a retreat or lecture, etc? You know the quilts that you make from magazine patterns? You know the quilts you started in a workshop with the designer of the pattern or inventor of the technique?

Eventually, if the gods are on your side and the moon is aligned with Saturn and Mercury all at once, you might finish the projects. It might be six months after you discovered the pattern, it might be a decade. The best thing about quilt patterns is there is no expiration date. The fabrics, well, that can be another story, and is a post for another day. But the patterns themselves are timeless.

Where am I going with this weird line of thinking? I am here today to encourage, cajole, tease, and practically beg you to PLEASE for the love of all that is holy in quilting, when your quilt is done and you love it, send a quick photo to the designer to show them what you did with their design. Because there is nothing (other than chocolate, wine, and the first day of school after a long break) we designers love more than seeing that our students, fans, and random quilters who just happened to pick up our pattern in a shop finished one of our designs and checking out what you did with it.

Like this adorable KS baby quilt I found posted on my FB page this morning, made by Marcia Wilkins, fellow guild member and Hottie, that just made my morning complete. I love that she did it using only four pink fabrics total rather than making each "ball" its own scrappy wonderment, which just proves again that we designers expect you to make the pattern the way YOU see fit. Clearly SOMETHING about it appealed to you, and you bought it from us. After that, you are welcome to Burger King it (make it your way) as you see fit.

I was also thrilled to see another version of KS in person last night, made my another guild member and fellow Hottie Barbara Forslind, who pulled me away from the sticky job of preparing bowls of ice cream for our social so I could see it and be wowed. While anything would be better than being covered in caramel sauce from head to toe, it truly was the highlight of my night.

I did once take a class from a fairly well known designer who did happen to mention she really didn't care to see the finished products - she had too much to do to open all those emails. Her diamond shoes must have been too tight too. But I honestly believe she may be the only one. So please please please send us your photos! I for one promise to fawn all over them.
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